Tuesday, December 31, 2019

BVH creates visitor centre for bluff overlooking Nebraska river valley

Niobrara River Valley Preserve Visitors Center by BVH Architecture

Architecture studio BVH used materials such as charred wood and weathering steel to help a visitor centre in a wilderness preserve hold up against harsh weather conditions.

Niobrara River Valley Preserve Visitors Center by BVH Architecture

The Niobrara River Valley Preserve Visitors Center is located near Johnstown, a rural village in north-central Nebraska. The building serves as a gathering spot and educational hub for a vast, 56,000-acre (22,662-hectare) conservation area featuring six different ecological zones, from forests to grasslands.

The preserve, which is owned by The Nature Conservancy, serves a variety of functions.

"The preserve is a working ranch, an educational laboratory and training grounds for rangeland management and controlled firefighting," said Nebraska firm BVH in a project description. "Recreationally, the preserve offers hiking, river sports and other outdoor activities."

The visitor centre contains offices, meeting rooms, restrooms and a servery. The building encompasses 3,250 square feet (1,315 square metres).

Niobrara River Valley Preserve Visitors Center by BVH Architecture

Perched on a small bluff, the building was designed to withstand harsh weather conditions, from icy winters to hot summers with threats of wildfire. In the summer of 2012, fires ravaged much of the area.

The team conceived an unassuming building that is rectangular in plan. Approached from the south, the structure is meant to have a low profile, so as not to compete with the natural landscape. The building's metal roof has deep overhangs that provide shade.

Niobrara River Valley Preserve Visitors Center by BVH Architecture

The main door is located on the northern side, which overlooks the scenic valley. Visitors can take in views from a covered wooden deck or an observation platform that projects toward the river.

Near the west end of the north elevation, the team created a tall volume with a glazed front. At night, the volume appears like a glowing lantern.

"We designed a tower along the north facade to act as a visual marker that can be seen from the Niobrara River below, a popular destination for river rafting,” said BVH design principal Mark Bacon.

Exterior walls are clad in rustic materials that blend with the environment. On the east and west facades, the team used Corten steel that will continue to oxidise, "providing an ever-changing dynamic facade".

Niobrara River Valley Preserve Visitors Center by BVH Architecture

The northern and southern elevations are wrapped in locally sourced cedar that was charred using the shou sugi ban, an ancient Japanese technique. The burnt wood is durable and resistant to insects.

The southern elevation features wide shutters made of weathering steel. The louvres help mitigate solar heat gain in the summer, while allowing sun to penetrate the building during cooler months.

"Where louvres were not desired, the planes of glass were recessed into the building with the roof providing necessary shading," the team said.

Niobrara River Valley Preserve Visitors Center by BVH Architecture

The building's envelope design adheres to guidelines put forth by Architecture 2030, a nonprofit started in 2002 that seeks to drastically reduce energy consumption and greenhouse gas emissions. The envelope was carefully conceived based on environmental conditions.

"The system was developed through computer analysis of pertinent data in real-time as the design was fine-tuned," the architects said.

Niobrara River Valley Preserve Visitors Center by BVH Architecture

The building envelope features structurally insulated panels (SIPs), which help with energy performance. The interior is finished with simple materials such as concrete flooring, white walls and timber accents.

Other projects in nature preserves include a wooden treehouse in Aspen that was designed by local firm Charles Cunniffe Architects and serves as a spot to view wildlife.

Photography is by AJ Brown.

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Remembering the great architects and designers we lost in 2019

Remembering the great architects and designers we lost in 2019

This year sadly saw the passing of many iconic figures from architecture and design, including architect IM Pei, fashion designer Karl Lagerfeld and lighting designer Ingo Maurer. We remember 10 of the greats we lost in 2019 as part of our review of the year.

Other legends who passed away this year include architect César Pelli, designer Alessandro Mendini, graphic designer Wim Crouwel and writer Charles Jencks.

We also lost graphic designer Vaughan Oliver, Californian modernist Ray Kappe, Superstudio co-founder Cristiano Toraldo di Francia, architect Philip Freelon, educator Pierre Keller, architect Stanley Tigerman and fashion designer Joe Casely-Hayford.

Here we remember 10 of the greats we lost in 2019.


IM Pei

IM Pei

Born in 1917, Pritzker Prize-winning architect IM Pei was known for a bold modernist style that experimented with strict geometries and shapes, and a portfolio of significant buildings – including the Museum of Islamic Art in Doha, the glass-and-steel pyramid at the Musée du Louvre in Paris, and the Kennedy Library in Boston.

Pei had received prestigious awards such as the AIA Gold Medal in 1979, the Pritzker Prize in 1983, the first Praemium Imperiale for Architecture in 1989, and RIBA's Royal Gold Medal for architecture in 2010. He died this year aged 102.


Fashion designer Karl Lagerfeld dies

Karl Lagerfeld

Prestigious fashion designer Karl Lagerfeld was at the helm fashion houses Chanel and Fendi when he died this year aged 85.

He had seven-decade career in fashion saw him join Fendi in 1965, where he took on the role of the artistic director of the label's ready-to-wear clothing in 1977. He became head designer at Chanel in addition in 1983 and reinvented the brand's famous tweed each season. Lagerfeld, who was born in Hamburg, Germany in 1933, was also known for his signature look comprising a white ponytail, black sunglasses and a pair of gloves.


Alessandro Mendini

Alessandro Mendini

Italian architect and designer Alessandro Mendini was a key figure in the radical design movement of the 1960s and the postmodern movement of the 1980s.

The 1978 Proust chair, which is celebrated as one of the most iconic and revolutionary chairs of the last century, and the Groninger Museum in the Netherlands, which features a bright yellow tower, are among his best-known works. He was born in 1931 and died this year aged 87.


Portrait of Kevin Roche

Kevin Roche

Born in Dublin in 1922, architect Kevin Roche kickstarted his career in the Detroit office of Eero Saarinen and took over the practice with John Dinkeloo and Joseph Lacy when Saarinen passed away in 1961. They completed 12 of Finish-American architect projects, including JFK's TWA Flight Center, Dulles International Airport Terminal, the St Louis Arch, and the Deere and Company Headquarters.

Roche later established Kevin Roche John Dinkeloo and Associates and completed major works in New York City, such as the Central Park Zoo, the 60 Wall Street skyscraper and an extension to the Jewish Museum. He was awarded the Pritzker Prize in 1982, making him one of the first to receive the prestigious accolade.


César Pelli dies aged 92

Cesar Pelli

Argentine-American architect César Pelli's significant buildings include the Petronas Towers in Kuala Lumpur, formerly the world's tallest building, One Canada Square at Canary Wharf in London, World Financial Center in New York City and the National Museum of Art in Osaka.

Pelli was born in Argentina in 1926. He started his career in the US studio of Saarinen, before setting up his own firm Cesar Pelli & Associates in 1977, which was renamed Pelli Clarke Pelli Architects in 2005.


Luigi Colani obituary

Luigi Colani

German industrial designer Luigi Colani is best known for the curving organic forms of his transport and product designs, which are said to have influenced the work of a younger generation of architects and designers such as the late architect Zaha Hadid.

Colani, who was born in 1928 and died aged had 91, had a varied career. He started with designing cars for brands such as Fiat, Alfa Romeo and BMW in the 1950s. In the 1960s, he moved into furniture design before expanding his practices into other aspects of industrial design in the 1970s. Colani had more than 4,000 design ideas that he put down on paper, according to the New York Times.


Wim Crouwel

Born in the Netherlands in 1928, typographer and graphic designer Wim Crouwel was responsible for the graphic identity of the Stedelijk Museum between 1963 and 1985, while his practice Total Design, which he founded in Amsterdam in 1963, boasted clients Dutch Post office, Schiphol Airport, and Dutch bank Rabobank.

Crouwel was also celebrated for his typography design, with the new typefaces for The Foundry and the typeface for Holland's FIFA world cup football kit among his recent projects.


Ted Cullinan passes away aged 88

Ted Cullinan

Edward Cullinan, also known as Ted, was a RIBA Royal Gold Medal-winning architect and the founder of Cullinan Studio. He died this year at the age of 88.

His projects included a number of residences, like his own house in Camden, visitors centres like the Fountains Abbey Visitor Centre, and university buildings like the Docklands Campus for the University of East London. RIBA awarded Cullinan the Gold Medal in 2008 and commended his "keen awareness of the natural environment".


Charles Jencks

Charles Jencks

Charles Jencks was a landscape architect and architecture historian who is regarded as the leading thinker on postmodernism in architecture, as defined with his seminal book, The Language of Post-Modern Architecture.

He was born in 1939 in Baltimore, Maryland, and died aged 80 at his home in London. His most significant impact perhaps is the work he did with the Maggie's Cancer Care Centres, a charity he founded in 1995. The project commissions major architects to design comforting places of respite for those affected by cancer in memory of his late wife Maggie Keswick Jencks.


German industrial designer and "poet of light" Ingo Maurer dies aged 87

Ingo Maurer

German designer Ingo Maurer died was internationally known for his sculptural, playful lighting designs. A number of Maurer's pieces are held in the collection of New York's MoMA – including the 1969 Bulb Lamp, an oversized light bulb, his winged 1992 Lucellino lamp, and the Porca Miseria! fixture, which he made from shattered crockery in 1994.

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30 Myths Women Are Tired Of Hearing About Themselves

“You should smile more”, “Why are you mad, are you on your period?”, “Oh, you’re a feminist so you must hate men” – apparently, for whatever reason, some people think it’s completely acceptable to say these offensive phrases to women. Reality check – it’s not.

Someone on Reddit recently asked women “What myth about women is 100% untrue and infuriates you when you hear it?” and received some dumbfounding answers. Turns out some people have absolutely no idea what women are like to the point where it’s ridiculous. They’re not some sort of supercomputers that are impossible to understand – they’re just regular humans. Sadly, not everyone seems to grasp this idea.

Check out the most ridiculous and infuriating myths women are tired of hearing about themselves in the gallery below!

#1

“That we don’t need pockets in our friggin clothes.”

Source: Minemose

#2

“That being a feminist means you think women are better than men or that you are a man hater.”

Source: billymumfreydownfall

#3

“The whole god damn “oH yOu’Re mAd? yOu mUsT bE oN yOuR pErIod.” especially when it’s coming from a guy that easily gets angry at the dumbest things and can’t control his rage.”

Source: Nightshade3550

#4

“One that infuriates me in particular:

That I, a WOMAN in science, am intellectually inferior to my male counterparts. The notion that my “wittle girl brain” surely can’t comprehend the complexities of my field is completely unfounded.

Please. I science like a boss!”

Source: twerkin_nerd

#5

“That we all love shopping. I friggin HATE shopping.”

Source: SaltyDoggoMeo

#6

“I just think people misunderstand why women’s bathroom lines are so long, its not because we’re all vain – it’s because we have to sit every time unlike you and wipe and it takes a lot longer & some women have to get undressed to do so, also not even to mention how time consuming periods can be.”

Source: emilyjford993

#7

“That as little girls we all dreamt about our future wedding. Not all women want to get married or actually enjoying attending weddings.”

Source: Smurff833

#8

“That because you don’t like another woman it’s only because you’re jealous. Listen, I can hate a woman because of something she did or said and in no friggin way be jealous of her. She may be just dumb and why would I be jealous of that?”

Source: Mishy-P

#9

“We pee with our vagina.”

Source: Exiode

#10

“That we enjoy being catcalled and it makes us feel better about ourselves. Seriously, stop that s**t guys, we don’t like that at all, it just scares most of us, especially people like me with PTSD and social anxiety.”

Source: Technusgirl

#11

“That my husband handles fixing s**t around the house. No, he’s completely lost with that stuff. The tools are mine, I painted all the walls, I landscaped the garden and flower beds, and that grill is mine too. I do the barbecuing and I LOVE it! My husband fixes all the electronic stuff and picks up the heavy stuff while I make inappropriate comments about that tight butt.”

Source: pixiemamo

#12

“It doesn’t infuriate me but I was always confused by the stereotype that women are afraid of blood in general… Like what do you think we deal with everything month??”

Source: greylikethetea

#13

“That it is mandatory for all women to shave or trim every single hair on our bodies. No. Not mandatory.”

Source: DarshnaRekha

#14

“every women is the same. that we all like the same things. that every period is the same. every child birth is the same. that if one woman says periods hurt and one says it doesnt, one of us has to be lying. that if one woman’s childbirth is easy, the rest must be faking it or weak.”

Source: chocopinkie

#15

“Maternity leave is basically vacation. If you’ve ever experienced the exhaustion of carrying a child and the intense body changes that occur during and after delivery, you’ll find out that maternity leave is necessary for recovery and is not a vacation. Try working with a 2nd, 3rd, or 4th degree tear while now trying to deal with a baby that needs to feed every 2-3 hours.”

Source: nkblossom331

#16

“Every time I throw up or say I feel nauseated, literally since I was like 16, the FIRST thing someone jumps to is “are you pregnant?” Like we can get sick without it being because we’re knocked up.”

Source: Ashleighbell032

#17

“That housework is our responsibility.”

Source: Ireallylovemypeaches

#18

“That women are irrational because of their hormones. The irony is that some men make excuses for their behaviour because testosterone apparently makes them unable to control themselves.”

Source: faded-watercolours

#19

“That we mean the opposite of what we say.”

Source: glitteraapje

#20

“That we’re only supposed to like rom-com movies. Someone once told me I’ve quite a masculine movie collection- wtf?”

Source: junedy

#21

“All women want/need children.”

Source: roper-Atmosphere

#22

“I frequently come across the notion that women (unlike men) automatically have this social network they can rely on for support. Boy I wish that were the case.”

Source: hetdrakenkasteel

#23

“That everything we do is to attract men. From wearing revealing clothing, to wearing makeup at work, to gaming…hell, apparently even the “not like other girls” types who abstain from and denounce things associated with attracting men are accused of…doing it to attract men. After awhile it just feels like a bunch of projection, whether from women who are insecure about their ability to date, or men who interpret anything they’re attracted to as being tailor made for them. Also, while I do think that we have a sort of privilege over men in terms of being able to cry and show our emotions, I also feel our emotions aren’t taken as seriously. As another commenter noted, were basically never allowed to be upset about anything, and are always labeled crazy/hysterical/irrational/dramatic. I’ve seen a lot of confusion among men involving the concept of venting, ie “Why would you tell me your problem if you don’t want a solution?” The reason why is because we don’t need a solution, often times we already know what it is. What we need is to be listened to, to be comforted and told that it’s understandable why we feel the way we do, when the rest of the world just tells us to calm down or to smile more.”

Source: CatzRuleMe

#24

“That we’ll buy anything if it’s pink. Pink guns, pink staplers, pink calculators, pink camo… ugh.”

Source: reykolt

#25

“That girly-girls are dumb, annoying, don’t know when to shut up, can only be a stay at home mom. Like I can like pink, shirts, dresses, and still box you, be a lawyer, and have varying personality traits.”

Source: Jackssssssssssssssss

#26

“That we can just “hold” our periods. Do you honestly think we would still need feminine products if we could do that?”

Source: tanya6k

#27

“I’m sure its the same for men but: Gift giving. I’ve had so many guy friends ask me what to get their s/o or sister or mother because I am also of the female gender. Ummm, get to know them and give them something based on what they’ve asked for or actually like? We’re not all the same. There is no generic Female Gift. We are different people with different likes and tastes.”

Source: Jaggartex

#28

“That the more sex you have, the looser your p**sy gets.”

Source: kevnmartin

#29

“That if a woman is running for office, all women must be voting for her.”

Source: Ohmesone

#30

“Nearly everything about endometriosis. It is sorely misunderstood, reasearch is underfunded, and terrible treatments get used all the friggin time when they dont help and make things worse. Its a hidden debilitating disease and i hate the misinformation spread about it. There IS help out there and legit treatments.”

Source: reeshugmeback

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Lighting Artist Realizes People Have No Idea What His Job Means And Gives Some Amazing Examples

It seems that no matter how many times you tell your parents what you do at work, they never fully understand – especially if you work in an uncommon field. Something similar recently happened to lighting artist Dan O’Brien. After realizing that some people have no idea what he does for a living, the man gave some incredible examples showing just how much good lighting can change an animated movie.

More info: twitter.com

Lighting artist Dan O’Brien gave some amazing examples of what he does at work

Image credits: OtherDanOBrien

“When I tell people I do lighting for animated movies, they usually don’t understand what I mean by that,” wrote Dan in a recent tweet. He shared some examples of his work on Spies in Disguise and left people absolutely amazed.

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Lighting artists, along with people from departments like skies and special effects, can radically transform a movie, turning bland and boring scenes into vividly colored masterpieces.

Image credits: OtherDanOBrien

People found Dan’s work fascinating

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Cello Teacher Shares The Racist ‘Thank You’ Letter She Received From The Mother Of One Of Her Students

It’s always nice to hear feedback from your students and their parents when you’re working as a teacher. But not when you get personally attacked by one of your student’s parents.

One cello teacher recently shared a “thank you” letter she received from the mother of one of her students to Twitter. The letter starts out pretty tame with the mother thanking the teacher for helping her son pass his cello exam but soon takes an unexpected turn. The mother then begins to complain about an “ethnic stench” coming off of her son’s clothes every time he comes back from the lessons and says she doesn’t want him “smelling Indian in public”. Unsurprisingly, the teacher wasn’t having any of that and responded to the not-so-subtly racist letter.

Check out the full story below!

A cello teacher recently shared a racist “thank you” letter she received from the mother of one of her students

Image credits: Steve Snodgrass (not the actual photo)

Image credits: sxinxm_



Image credits: sxinxm_

The teacher responded to the letter

Image credits: sxinxm_



The racist letter quickly went viral, getting nearly 300k likes and 66k reshares on Twitter in just a few days. The teacher ended up reporting the student’s parents to social services for not taking proper care of him.

People supported the teacher for not staying quiet about the racist letter




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Studio Bua overhauls seaside guesthouse in Icelandic nature reserve

Guesthouse Nýp in Iceland by Studio Bua

A new corrugated metal skin is one of several changes that Studio Bua made in its renovation of Guesthouse Nýp in Iceland.

Guesthouse Nýp is located on Iceland's west coast, within the Breiðafjörður Nature Reserve. It is predominantly a bed and breakfast, but also serves as a cultural hub, hosting exhibitions, workshops and other events.

Guesthouse Nýp in Iceland by Studio Bua

Studio Bua has not only given the building a facelift, but also added extended it to create space for extra facilities. The idea was to make it easier for the owners to put on events without disturbing overnight guests.

The building was originally built in 1936 to serve as the residence of a sheep farm. It was largely rebuilt in 2001 and has been used as a cultural venue since 2006.

Guesthouse Nýp in Iceland by Studio Bua

The structure was made up of two blocks – the two-storey, gabled farmhouse and a single-storey, flat-roofed extension that was once used as a barn. Studio Bua has extended this barn, giving it a pitched roof more in keeping with the local vernacular.

Both buildings are also re-clad with corrugated metal panels, made from an aluminium and zinc alloy. These panels cover the walls and the roofs, helping to unify the different elements of the structure.

Guesthouse Nýp in Iceland by Studio Bua

"[We] took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay," explained Studio Bua.

Guesthouse Nýp in Iceland by Studio Bua

"Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house," it continued.

"The prevailing wind comes down the valley from the north and east, and so it was decided to over-clad the rear of the building and the new extension in corrugated aluzinc – one of the few materials proven to withstand the extreme weather."

Guesthouse Nýp in Iceland by Studio Bua

Inside, the barn building now contains a multi-purpose events space. It is supported by columns made from driftwood, which was sourced from a nearby beach, and has windows with views of the ocean.

The extension also creates three new guest suites, in addition to the four in the main house. Features in these rooms include wood panelling, exposed concrete and nature-inspired artworks.

Guesthouse Nýp in Iceland by Studio Bua

To keep the project to its strict budget, the design team used as many recycled elements as possible. Handrails and doors were all second-hand, found in building sites around Reykjavík.

"The site team was made up of local builders and craftsmen including the neighbouring farmer, who happened to own a cement truck," said Studio Bua.

Guesthouse Nýp in Iceland by Studio Bua

With offices in London and Oslo, Studio Bua is led by architects Mark Smyth, Sigrún Sumarliðadóttir and Giambattista Zaccariotto. The team is also currently working on another renovation project nearby – covering a barn into a home and studio for an artist.

Photography is by Giovanni De Roia.


Project credits:

Architect: Studio Bua
Contractor: Eiríkur Kristjánsson
Structural engineer: Gísli Guðmundsson

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Doctor Tries To Answer What To Do With A Centaur Who Was In Cardiac Arrest In An Entertaining Twitter Thread

There have been plenty of good stories that emerged from #medtwitter. And this one is no exception. Only it’s a bit… imaginary. But hey, if there’s one thing the internet is good at, it’s going all analytical into the intricate and mysterious workings of fantasy scenarios.

Recently, Fred Wu, MD, challenged medical professionals to figure out how to treat a centaur — yeah, the half-human, half-horse mythical beast — who’s having a heart attack. His thread eventually spiraled into a hilariously in-depth discussion and went viral precisely because of that. Enjoy!

More info: Twitter

One doctor had a very important question for his colleagues

Image credits: FredWuMD

A fellow doctor quickly kicked off the debate

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However, it turned out to be quite difficult

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After the thread went viral, other medical professionals joined the discussion

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Finally, a solution was found

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Here’s what people said about the mental exercise



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IOC designs Solari workstation in collaboration with Gensler

Dezeen Showroom: trestle legs and a customisable, J-shaped privacy screen distinguish the Solari desk system, developed by Italian office...