Friday, July 31, 2020

This week, architects criticised Autodesk's BIM software

This week, architects criticised Autodesk's Revit BIM software

This week on Dezeen, a group of 17 of the UK's leading architecture studios wrote a letter to American software maker Autodesk criticising the cost and lack of development of its Revit application.

In the letter, the architecture studios, which included Zaha Hadid ArchitectsGrimshaw and Rogers Stirk Harbour + Partners, stated that the rising cost of Building Information Modelling (BIM) software Revit was damaging their businesses.

"Where once Autodesk Revit was the industry enabler to smarter working, it increasingly finds itself a constraint and bottleneck," it said.

In response to the letter, Autodesk vowed that it would listen to the feedback from its customers and would make addressing their concerns its "top priority".

This week, architects criticised Autodesk's BIM software
Diller Scofidio + Renfro wraps US Olympic and Paralympic Museum in diamond scales

Architecture firm Diller Scofidio + Renfro's US Olympic and Paralympic Museum in Colorado opened its door this week.

The museum is covered in diamond-shaped scales, while its galleries are arranged around a spiralling ramp to make it one of the most accessible museums in the world.

This week, architects criticised Autodesk's Revit BIM software
Seymourpowell designs Virgin Galactic spaceship cabin to maximise views of Earth

In transport news, London-based Seymourpowell revealed its design for a spaceship cabin that will be used by Virgin Galactic within its Virgin Spaceship Unity to six passengers on a sub-orbital flight into space. The cabin is designed to maximise views of Earth during the journey.

Transport designer PriestmanGoode also released its design for a cabin, but this time slightly closer to Earth. It envisioned how aircraft cabin interiors will look following the coronavirus pandemic.

This week, architects criticised Autodesk's Revit BIM software
ASICS creates face mask for exercising during the coronavirus pandemic

Also responding to the pandemic, Sportswear brand ASICS released a face mask that contains vents so that people can wear it while working out.

The coronavirus continued to impact events with the organisers of the Consumer Electronics Show making the decision to cancel next year's January event in Las Vegas and replaced it with an online version.

See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

This week, architects criticised Autodesk's Revit BIM software
World's tallest prefabricated skyscrapers set to be built in Singapore

In Singapore, local architecture studio ADDP has designed a pair of 56-storey skyscrapers that will be the tallest prefabricated buildings in the world when they complete in 2026.

The towers will be 60 metres taller than the previous tallest modular building, the 140-metre-high Clement Canopy built by Construction company Bouygues Bâtiment International, which is also in Singapore.

This week, architects criticised Autodesk's Revit BIM software
Zaha Hadid Architects unveils Roatán Próspera housing complex for Honduras

In other architecture news, Zaha Hadid Architects unveiled its design for a modular housing project that will be built on the Caribbean island of Roatán of the coast of Honduras.

In the UK, Twelve Architects designed 60 holiday home that will directly overlook the race track at Silverstone – home of the British Grand Prix.

This week, architects criticised Autodesk's Revit BIM software
Frankie Pappas threads skinny house through South African forest

Popular projects on Dezeen this week include a 3.3-metres-wide house that Frankie Pappas threaded through the forest in South Africaa small studio in rural Ecuador with a straw roof and wood framing designed by architecture student David Guambo and a holiday home in New Zealand by Fearon Hay Architects concealed by black shutters and a concrete wall.

This week on Dezeen is our regular roundup of the week's top news stories. Subscribe to our newsletters to be sure you don't miss anything.

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Sanden+Hodnekvam Arkitekter creates red concrete house in Lillehammer

Red concrete house by Sanden+Hodnekvam

Oslo architecture studio Sanden+Hodnekvam Arkitekter has designed a house from prefabricated concrete panels in Norway for a three-generational family that took part in its construction.

Sanden+Hodnekvam Arkitekter's House in Red Concrete in the town of in Lillehammer was built with a facade made from repetitive, insulated-concrete elements in order to help keep costs down.

"The repetitive facade made it possible to use the same casting for the concrete elements many times," co-founder John Sanden told Dezeen.

"The cost is really low, which was possible because of the simple construction system, the repetitiveness and the work done by the client themselves."

Red concrete house by Sanden+Hodnekvam

To keep the project affordable, Sanden + Hodnekvam chose to use prefabricated, insulated concrete elements with a 50-millimetre outer layer of pigmented concrete for all the facades.

The studio also designed the house so that no inner walls are load-bearing. This was to save money in the future as it means the house can be adapted to the client's changing needs but also meant the owners could help build the house themselves.

Red concrete house by Sanden+Hodnekvam

"After the load-bearing part of the construction was in place, the clients have put up inner walls and finished large parts of the remaining work themselves," the studio said.

"This gave them a deeper understanding of the building, and it made them really love the house already long before they moved in," Sanden added.

Red concrete house by Sanden+Hodnekvam

As the house was built on a sloping site, with a height difference of about 10 metres across it, Sanden+Hodnekvam Arkitekter dug it into the hilldside and aligned it at a diagonal angle to the fall of the terrain to create outdoor spaces and improves its views.

"A large part of the house is dug into the hillside in order to fit the programme to the compact site, and at the same time follow height regulations and maximise the view," the studio said.

Red concrete house by Sanden+Hodnekvam

The distinct red colour of the exterior was achieved by adding iron oxide to the concrete mix. "The pigment gives the house a different appearance than the grey, which gives the house its own character," Sanden said.

"The pigment, along with the wooden windows and the geometric pattern between the concrete elements, makes the building stand out as something different than just a concrete box."

Red concrete house by Sanden+Hodnekvam

Inside the house, the rough concrete walls and ceilings have been left exposed and are complemented by walls in knot-free pine panelling, which was also used for the ceilings in the kitchen and living room. Pine plywood furniture was built on site.

"A lot of the furniture is specific for each room, which creates a clean interior that is easier to keep tidy in the everyday life," Sanden said. "The furniture also helps to create an area-effective building."

Floors were covered in hardwearing cement screed. "It is a house that is built to last by adaption or re-appropriation," the studio concluded.

Norweigan studio Sanden+Hodnekvam Arkitekter was founded in 2014 by John Sanden and Ingvild Hodnekvam. The studio also chose to work with concrete and wood when creating a cabin overlooking a Norwegian fjord.

Photography is by Sanden+Hodnekvam Arkitekter.

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Feilden Clegg Bradley Studios designs net-zero-carbon timber office in London

Paradise net-zero carbon office, London, by Feilden Clegg Bradley Studios

UK architecture studio Feilden Clegg Bradley Studios has designed a six-storey cross-laminated timber office named Paradise, which will be net-zero-carbon to align with its Architects Declare commitments.

The architecture studio designed the carbon-neutral office as it focuses on creating more sustainable architecture to meet the aims of climate change network Architects Declare.

Paradise net-zero carbon office, London, by Feilden Clegg Bradley Studios

"As founding signatories of Architects Declare, we have made a public commitment to creating net-zero carbon buildings by 2030, and it is our aim on every building we design," said Joe Jack Williams, associate at Feilden Clegg Bradley Studios.

"For the Old Paradise Street development, we have an opportunity to provide a net-zero carbon building that can host environmentally conscious businesses that can't afford to build their own building," he told Dezeen.

Paradise net-zero carbon office, London, by Feilden Clegg Bradley Studios

Set to be built on Old Paradise Street alongside a railway in Vauxhall, London, the office will be directly opposite Damien Hirst's Newport Street Gallery, which was designed by Caruso St John Architects and won the Stirling Prize in 2016.

The timber-framed building will contain 5,500 square metres of office space.

It will be constructed with a combination of cross-laminated timber (CLT) slabs and cores, glued laminated timber (glulam) beams and some supporting steel beams on a concrete foundation.

Paradise net-zero carbon office, London, by Feilden Clegg Bradley Studios

Feilden Clegg Bradley Studios calculated that the sequestered carbon captured in the timber will mean that the construction process will be carbon negative. As a large amount of carbon is captured it will offset the next 60 years of the building's carbon emissions.

"The initial carbon sequestered by the timber structure will offset the rest of the embodied carbon for the structure and facade, in addition to nearly 60 years of operational carbon emissions," said Williams.

Paradise net-zero carbon office, London, by Feilden Clegg Bradley Studios

"Accounting for the sequestered carbon in this way is not widely done, and we wanted to meet that debate head-on so we can have clarity moving forward," Williams continued.

"There is already a focus on operational carbon for buildings, particularly in London, but for Paradise we've been able to talk about the increasing issue of embodied carbon, moving away from carbon-intensive concrete and steel towards renewable materials."

Paradise net-zero carbon office, London, by Feilden Clegg Bradley Studios

Within the building, the glulam beams and CLT floor plates will be exposed throughout the office spaces.

"From a sustainability viewpoint, CLT is one of the few renewable structural materials available and can be mechanically fixed to enable it to be simply reused at the end of its life," said Williams.

"But it's not just about sustainability, it also provides a beautiful, warm, natural finish that fits into our aims of delivering a healthy environment."

UK architecture practice Feilden Clegg Bradley Studios was founded in 1978 and is now led by Keith Bradley and Peter Clegg. The studio won the RIBA Stirling Prize for the Accordia housing development in 2008.

It joined the other Stirling Prize-winning firms, including Zaha Hadid Architects and David Chipperfield Architects, in calling for architects to shift their behaviour towards climate change by signing up to Architects Declare last year.

Earlier this year another founding signatory – Foster + Partners – came under fire for designing a new airport in Saudi Arabia.

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This Vietnamese Tattoo Artist Helps People Regain Confidence With Her Beautiful Scar Cover-Ups (20 Pics)

There are multiple reasons why people choose to get tattoos. And while some get inked because they like the aesthetic look, others use tattoos as a means to regain their confidence by covering up scars or birthmarks. Vietnamese tattoo artist Ncog is out there to help these people and has been doing so for over 10 years.

In a recent interview with Bored Panda, the artist said that she’s very passionate about tattooing over scars, burns, and other imperfections. She believes that a well-made tattoo can not only change a person’s image but also help lift their confidence and overcome their insecurities. See some of Ncog’s beautiful scar cover-ups in the gallery below and if you love body art, don’t forget to check out the adorable cat tattoos we featured yesterday here!

More info: Instagram | Facebook

Vietnamese tattoo artist Ncog specializes in beautiful scar cover up tattoos

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The post This Vietnamese Tattoo Artist Helps People Regain Confidence With Her Beautiful Scar Cover-Ups (20 Pics) appeared first on DeMilked.



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Artist Shows How Cartoon Characters Would Look In Real Life, And It Might Ruin Your Childhood (14 New Pics)

Cartoon characters from popular TV shows usually remind us of some warm memories from childhood. Remember when you used to sit on the sofa on weekend mornings and watch cartoons on mute before your mom caught you not sleeping? Well, I should admit that I did that every weekend. Ontario-based artist Miguel Vasquez seeks to distort our feelings about these cartoon characters with some reality twists. He creates realistic renditions of famous cartoon characters that might even disturb you.

More info: Instagram | Facebook | artstation.com

#1 Sheldon J. Plankton

Image credits: marvelous_mikee

#2 Handsome Squidward

Image credits: marvelous_mikee

Miguel Vasquez takes famous cartoon characters and turns them into creepy and disturbing versions of people that we wouldn’t normally see on TV. At least not as cartoon characters for children. He makes them look sinister, twisted, and scary. Not something you would wish for your children to see on Sunday morning.

#3 Morty

Image credits: marvelous_mikee

#4 Rick

Image credits: marvelous_mikee

The artist loves to bring his renditions as close to reality as possible, giving them many human-like flaws and imperfections. Wrinkles, uneven skin tones, belly fat—it’s just a few features that make them look like real human beings. Although there’s something about them that makes them look unsettling. The kind of people that you wouldn’t want to meet on the street.

#5 Marge Simpson

Image credits: marvelous_mikee

#6 Toad

Image credits: marvelous_mikee

From such cartoon characters as Marge and Bart Simpson from all-time favorite TV show The Simpsons to Patrick Star and Squidward from Spongebob Squarepants, to Rick and Morty from the show of the same name, and even video game characters like Toad from Super Mario, this artist will soon have recreated every famous character out there! And if these are not enough, we recommend that you check out his previous posts here and here on Bored Panda.

#7 Pinhead Larry

Image credits: marvelous_mikee

#8 Charlie Brown

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#9 Snoopy

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#10 Maggie Simpson

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#11 Bugs Bunny

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#12 Bart Simpson

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#13 Gary

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#14 Elmo

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Nike’s split screen ad is an epic ode to togetherness

Wieden+Kennedy Portland created the campaign, which is made using only archive footage. It cleverly combines disparate moments from different times in history, in an attempt to emphasise the many ways sport brings us together and, in some cases, helps prompt change.

It also touches on recent events, showing how people around the world have managed to keep playing in spite of stadiums and pitches being closed for lockdown. Everyday people are shown alongside familiar faces including Caster Semenya, Cristiano Ronaldo and Serena Williams.

It’s an impressive piece of editing, and it carries a much-needed positive message about people’s resilience during tough times.

The ad’s been going down a storm online as well, perhaps because it satisfies a very current need for stirring, epic ads that reflect ongoing global events.

Nike is not the only major brand to tackle the subject of coronavirus head on this week: in this spot for Coca-Cola, titled Open Like Never Before, George the Poet addresses how positive change might emerge from the pandemic.

Credits:
Agency: Wieden + Kennedy Portland
ECDs: Jason Bagley, Eric Baldwin
Creative Directors: Alberto Ponte, Ryon O’Rourke
Creatives: Dylan Lee, Naoki Ga
Production company: Pulse Films
Editors: Peter Wiedensmith, Jessica Baclesse
VFX company: A52
Sound Design: Joint
Music: Cowboys in Japan

The post Nike’s split screen ad is an epic ode to togetherness appeared first on Creative Review.



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Museums Are Comparing Their ‘Star Objects’ To See Who Has The Best One (95 Pics)

With art institutions closed around the world due to the COVID-19 pandemic, house-bound museum staffers are finding all sorts of ways to showcase their exhibits to people online. One of the initiatives that really stand out is the #CuratorBattle on Twitter.

Organized by the Yorkshire Museum, the weekly challenge asks museums to share images of their possessions, trying to find out who has the best ones. So far, each 'competition' had a particular theme. Like, the best bum. Or the creepiest object. However, the #CuratorBattle has reached its grand finale and this time, there are no limits. Museums are giving it their best shots. Continue scrolling and check out their most-prized star objects.

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IOC designs Solari workstation in collaboration with Gensler

Dezeen Showroom: trestle legs and a customisable, J-shaped privacy screen distinguish the Solari desk system, developed by Italian office...