85 Funniest Dad Jokes From This Account Dedicated Entirely To Them (New Pics)

Dad jokes are a touchy subject: some people adore them while others think they’re the lowest form of humor. Most of us are guilty of telling a dad joke or two every once a while, but we’ve got nothing on the Dad Says Jokes Instagram account that is dedicated entirely to posting dad jokes. With more than 1.9 million loyal followers on Instagram, you could even say it’s… the daddy of all dad joke social media accounts. [Accepts Nobel Peace Prize for the corniest joke of the year.]

We’ve collected some of the punniest Dad Jokes dad jokes, so scroll down, enjoy, remember to tell us which ones were your faves, and share them with your friends if you know they’re feeling down. If you’re still craving some cheesy humor, have a look through Bored Panda’s previous list about Dad Says Jokes right here.

The National Post claims that the very first recorded use of the term “dad joke” happened in 1987 when Jim Kalbaugh, a columnist with the Gettysburg Times, wrote: “As we approach Father’s Day, I would like to propose that ‘Dad’ Jokes not be banned. They should be revered, preserved.” Kalbaugh got his wish because the internet is keeping the dad joke genre alive and well.

More info: Instagram | Facebook | Twitter | Amazon

#1

Image credits: dadsaysjokes

#2

Image credits: dadsaysjokes

#3

Image credits: dadsaysjokes

Comedian Paul Seven told the National Post that nowadays humor is all about instant gratification and avoiding insulting anybody. According to him, dad jokes have no social commentary, no agenda, no political material—they’re as neutral as can be.

That’s because they rely on puns. “It’s a genre most kids grow up with and can relate to, no matter where they are from. It requires no cultural know-how, no knowledge of social trends, or world updates,” Seven says.

#4

Image credits: dadsaysjokes

#5

Image credits: dadsaysjokes

#6

Image credits: dadsaysjokes

“Dad jokes take the audience away from everything awful to something so neutral and inoffensive, without even trying. You don’t have to think and no one gets hurt. I think we’re tired of turning on CNN and watching the absolute nightmare that is the reality around the world. And then you go on Twitter and you read about dad puns,” the comedian explained the beauty of dad jokes and how they help us unwind.

In his opinion, comedy and humor should be about “healing” and making people feel better about themselves, not putting someone else down for a quick laugh. And dad jokes are perfect for this role. After all, the worst they can do is make us cringe.

#7

Image credits: dadsaysjokes

#8

Image credits: dadsaysjokes

#9

Image credits: dadsaysjokes

#10

Image credits: dadsaysjokes

#11

Image credits: dadsaysjokes

#12

Image credits: dadsaysjokes

#13

Image credits: dadsaysjokes

#14

Image credits: dadsaysjokes

#15

Image credits: dadsaysjokes

#16

Image credits: dadsaysjokes

#17

Image credits: dadsaysjokes

#18

Image credits: dadsaysjokes

#19

Image credits: dadsaysjokes

#20

Image credits: dadsaysjokes

#21

Image credits: dadsaysjokes

#22

Image credits: dadsaysjokes

#23

Image credits: dadsaysjokes

#24

Image credits: dadsaysjokes

#25

Image credits: dadsaysjokes

#26

Image credits: dadsaysjokes

#27

Image credits: dadsaysjokes

#28

Image credits: dadsaysjokes

#29

Image credits: dadsaysjokes

#30

Image credits: dadsaysjokes

#31

Image credits: dadsaysjokes

#32

Image credits: dadsaysjokes

#33

Image credits: dadsaysjokes

#34

Image credits: dadsaysjokes

#35

Image credits: dadsaysjokes

#36

Image credits: dadsaysjokes

#37

Image credits: dadsaysjokes

#38

Image credits: dadsaysjokes

#39

Image credits: dadsaysjokes

#40

Image credits: dadsaysjokes

#41

Image credits: dadsaysjokes

#42

Image credits: dadsaysjokes

#43

Image credits: dadsaysjokes

#44

Image credits: dadsaysjokes

#45

Image credits: dadsaysjokes

#46

Image credits: dadsaysjokes

#47

Image credits: dadsaysjokes

#48

Image credits: dadsaysjokes

#49

Image credits: dadsaysjokes

#50

Image credits: dadsaysjokes

#51

Image credits: dadsaysjokes

#52

Image credits: dadsaysjokes

#53

Image credits: dadsaysjokes

#54

Image credits: dadsaysjokes

#55

Image credits: dadsaysjokes

#56

Image credits: dadsaysjokes

#57

Image credits: dadsaysjokes

#58

Image credits: dadsaysjokes

#59

Image credits: dadsaysjokes

#60

Image credits: dadsaysjokes

#61

Image credits: dadsaysjokes

#62

Image credits: dadsaysjokes

#63

Image credits: dadsaysjokes

#64

Image credits: dadsaysjokes

#65

Image credits: dadsaysjokes

#66

Image credits: dadsaysjokes

#67

Image credits: dadsaysjokes

#68

Image credits: dadsaysjokes

#69

Image credits: dadsaysjokes

#70

Image credits: dadsaysjokes

#71

Image credits: dadsaysjokes

#72

Image credits: dadsaysjokes

#73

Image credits: dadsaysjokes

#74

Image credits: dadsaysjokes

#75

Image credits: dadsaysjokes

#76

Image credits: dadsaysjokes

#77

Image credits: dadsaysjokes

#78

Image credits: dadsaysjokes

#79

Image credits: dadsaysjokes

#80

Image credits: dadsaysjokes

#81

Image credits: dadsaysjokes

#82

Image credits: dadsaysjokes

#83

Image credits: dadsaysjokes

#84

Image credits: dadsaysjokes

#85

Image credits: dadsaysjokes

from Bored Panda https://ift.tt/3f7MHJF

Exposure: Heather Hazzan

In the latest edition of her regular Exposure column for Creative Review, art director Gem Fletcher profiles photographer Heather Hazzan, whose former experiences as a model have given her an intimate, emotional style behind the camera

The post Exposure: Heather Hazzan appeared first on Creative Review.

from Creative Review https://ift.tt/2KO3L9B

Natasha Jen on being creative during a crisis

For any creatives struggling through current events, Pentagram partner Natasha Jen has some calm words of wisdom - as well as thoughts on how the industry might be different post-coronavirus

The post Natasha Jen on being creative during a crisis appeared first on Creative Review.

from Creative Review https://ift.tt/3aUIDcv

Paul Priestman makes DIY smartphone stand from an egg box for video calls

Transportation designer Paul Priestman has shared his hack for making a smartphone stand from an egg box to avoid "bad angles" and painful "phone arm" when video calling during the pandemic.

In the video, the PriestmanGoode co-founder demonstrates "the perfect lockdown life hack" of how to fashion a phone holder from just an egg box and a pair of scissors in under two minutes.

The idea came out of "necessity", he explained, as people continue to work from home during the coronavirus pandemic, leading to an increased amount of time spent on digital devices as the only form of communication.

"As I'm sure many others will identify with, I've spent a lot of time on video calls since the beginning of lockdown, both with work and with family and friends," said Priestman.

"I kept getting 'phone arm', where you hold the phone at arm's length so long your arm starts hurting, and was perpetually trying to find useful things to prop my phone up against, so that it wouldn’t slip halfway through a call."

"And almost daily on the news, I'd watch someone doing an interview on their phone from an awkward angle," he continued.

Priestman began looking for materials around his house, and used an old wine box to make his first prototype.

He made various different versions, refining the design at each step to make sure it met a series of requirements, including being hands-free, offering a good angle and being suitable for both portrait and landscape orientations.

He also wanted to be able to swipe the phone while it is in the holder, and charge it while in use.

"My goal was to create something that people would be able to make in their own homes, without any tools, and with everyday materials," said Priestman. "Eventually, I came to the egg box, and found it the perfect material."

"It's something most people will have at home, the textured surface of the egg box is naturally non-slip, it gives the perfect angle in both portrait and landscape formats, it requires no tools other than a pair of scissors and can be made in under two minutes."

As Priestman explains in the video, you take an ordinary fibre egg tray and cut off the lid.

Discard the lid, and then cut around the bottom of the egg box, giving a bit more height to the area where the phone will sit in order to give it enough grip.

Neaten it up by snipping off any rough parts, and then the phone can be rested inside the box, kept in position by the box's undulating edges and pyramid-shaped protrusions at its centre.

These instructions are for the "basic" version of the phone holder. The second version allows the user to charge their phone while in use, and requires two egg boxes.

Both boxes are cut in the same way as the basic version, before turning one upside down and sticking it to the other and making a hole through the base for the cable to fit through.

Other designers have been coming up with "hacks" to allow for hands-free door opening in a bid to lessen the spread of bacteria.

Design studio Adapta has created a device to fit to handles that enables people to open the door using an arm or elbow, while Matteo Zallio has 3D-printed a personal tool that uses a hook design to open doors.

The post Paul Priestman makes DIY smartphone stand from an egg box for video calls appeared first on Dezeen.

from Dezeen https://ift.tt/2WhnVhw

Lia Kantrowitz’s airbrush-style editorial illustrations embrace the surreal

New York-based illustrator and designer Lia Kantrowitz describes her editorial work as loud and cartoonish all in an airbrush style. Her client list is impressive and includes the likes of The New York Times, Bloomberg Businessweek, Working Not Working and many others. 

Day-to-day, Kantrowitz works at Vice as a senior editorial designer where she illustrates header images for articles, as well as playing a key role in art directing and commissioning for the website. “It’s nice to have a hand in diversifying the site and expanding the community of artists we work with,” she says.
   

When she’s working on freelance projects in her spare time, Kantrowitz has gravitated towards editorial commissions as they keep her on her toes a bit more. “I like that they keep me informed with subjects I might not have otherwise read about, and challenges me to be more conceptual,” she explains. “I feel like that has to be a good exercise for your brain. I love working on briefs that revolve around mental health, relationships, and drug research.” 

Kantrowitz keeps her creative process relatively simple when working on a new project. “Image research, reading, and music all help start the process for me,” says the creative. “Then I usually collage together a composition and draw from there. Pulling inspiration from old cartoons, ads and books, Kantrowitz’s images are pumped full of bold, garish characters and brilliantly lurid colours.

From inflatable tube men to computer-faced colleagues, there’s a touch of the surreal to Kantrowitz’s work which adds an element of surprise to her illustrations. “I like drawing things based on what’s going on with me at the moment and what I’m listening to, I reference lyrics a lot,” she says. “If I can throw in a looney tune or muppet, I’ll be extra happy.”

Kantrowitz does experience creative blocks, however. “Pushing through a creative block feels like banging my head against a wall,” she says. “Sometimes it lasts for a few hours, sometimes for a few days. I can’t really gauge what causes it, or how long I’m going to be in it.”

While she’s not worked on a huge amount of freelance projects since the world has adjusted to lockdown life, Kantrowitz has tried to maintain a positive outlook by keeping herself distracted with different projects and staying in touch with the people closest to her.

“Trying new recipes, video games and movies has given me some peace of mind,” she says. “Life hasn’t stopped, it’s just very different at the moment, so it’s important to make sure you’re taking care of yourself with what means you have.”

liakantrowitz.com

The post Lia Kantrowitz’s airbrush-style editorial illustrations embrace the surreal appeared first on Creative Review.

from Creative Review https://ift.tt/2KNZEdF

The Lowdown: how brands can use social during lockdowns

Rachael Steven (left) and Mobbie Nazir

The coronavirus crisis has prompted some creative, inspiring and heartfelt uses of social media – from the Clap for Carers campaign and Joe Wicks’ wildly successful morning workouts, to virtual nightclubs, live streamed-DJ sets and viral fashion challenges. With audiences spending more time on devices, there’s a huge opportunity for brands looking to provide support and entertainment – but there’s also a need to approach social content with caution and care.

In a live conversation for The Lowdown – a new content platform from Xeim brands including Marketing Week, Creative Review, Design Week and Econsultancy – we spoke with Mobbie Nazir, chief strategy officer at global creative agency We Are Social, about how brands can use social platforms to engage with audiences in a positive way while they’re stuck at home.

Listen below for advice on how brands can respond to changing demands and create standout content that is useful and relevant. We also discuss whether lockdowns will lead to a longer-term change in how brands and audiences view social platforms, and the new trends and formats that have emerged in the midst of social distancing.

This conversation is part of The Lowdown, a series of regular broadcasts from Xeim on how marketers, agencies and brands can help address the challenges brought by the Covid-19 pandemic. More info here

The post The Lowdown: how brands can use social during lockdowns appeared first on Creative Review.

from Creative Review https://ift.tt/2KLmmmG

Exploring the enduring influence of heraldry in design

First developed in the 12th century, heraldry was a practice originally reserved for medieval knights, and served a simple but practical purpose: to show who you were. At the time, a banner had to be simple enough for someone to read while on a galloping horse, for the outcome of misreading such symbology could (and often did) cost lives on the battlefield.

As a means of illustrating a knight’s achievements, the coat of arms quickly evolved into a status symbol that provided an insight into everything from family history and property to profession and occupation. Different crest designs also developed symbolic meanings: flowers had connotations around hope and joy, fruit signified bounty and peace and, depending on which animal you chose, you could emphasise character traits such as wisdom and loyalty.

Heraldry’s legacy hasn’t disappeared, however. The ancient practice’s influence lives on in a suprising number of today’s coat of arms equivalent: the logo. First published in 2015, Modern Heraldry: Volume One looked at the significance of heraldry in the wider context of nostalgic design and a return to analogue crafts such as letterpress. Here, we speak to Counter-Print co-founder Jon Dowling about releasing volume two of the book, and why it’s cool to care about heraldry.

Creative Review: Why did you decide to revisit the Modern Heraldry project?
Jon Dowling: It’s been five years since we first published Modern Heraldry: Volume One. It was an incredibly popular book upon its release and sold out very quickly. It had been on our minds for sometime that we needed to reprint it but I think enough time had passed for us to think we should, in fact, create a second edition.

It was a few years on from the first volume but the popularity of heraldry, it seemed, had not diminished. You still see it everywhere – from banks, train lines, schools and churches to universities, football clubs and societies – heraldry is still such a potent modern symbol.

CR: What sort of designs are included in part two?
JD: For both books we grouped the trademarks under categories chosen for their heraldic connotations such as: shields, crests, stamps, seals, laurels, flags and crowns. There were many imaginative variations and combinations in every crest design that identified the particular carrier or owner of that crest. Each symbol was chosen for its meaning, and we can see a continuation of this with the marks contained within Modern Heraldry.

Today, each element of a herald mark can be subjective or literal. For example, sometimes the audience is asked to make visual leaps when elements are chosen to represent the geographical origins of a product or to read the marks literally when books are chosen for publishers, pens for copywriters and so on. We enjoyed exploring the marks, and thinking about the links between the original purpose of heraldry and the meaning invested in contemporary logos.

CR: Can you talk us through a few examples?
JD: Sometimes the contemporary heraldic designs still derive from the founder’s family crest. The book shows a number of modern renderings of centuries-old crests, as we see with FL@33’s crest for the Waldruche de Montremy family. Other times, as with Werklig’s work for the city of Helsinki, we see a design company repurposing elements of the area’s traditional crest to create something new. In both cases, this work is carried out to respect the past and create something modern.

However, more often the examples in the book use heraldry in an attempt to convey a sense of respectability for a commercial venture. The treatment is often seen as a byword for dignity and dependability, with animals frequently used, such as lions to denote strength, pride and trust – as with Mateusz Turbiński’s mark for KMCC Accounting. Animals are also used in positions of combat for sports teams, such as Brandon Nickerson’s Porter Panthers volleyball mark. Wolves seem to be chosen for connotations of team work (as seen in Communal’s Cluster & Bosk logo for a film production company), owls for wisdom, foxes for cunning, while others represent traits such as wisdom, resourcefulness and loyalty.

Crowns are often used to convey quality. This can be seen with Apus’ mark for Biji Coffee, which is injected with secondary meaning. It is both reminiscent of a crown, a nod to quality produce but, on second glance, also contains coffee beans – suggesting the produce the company is famous for. Heraldry is even sometimes used as a subversive tactic when establishing a modern identity, as we see with Saturna Studio’s crest designed for Passport, a company that sells cannabis products.

CR: Why do you think heraldry still has such a big presence in design and branding today?
JD: Audiences perhaps respond well to nostalgia, with many designers keen to capture the visual romance and history of a brand, or convey craftsmanship. Despite our modern obsession with technology, there has been a leaning towards craftsmanship and quality in what we choose to consume, in opposition to mass production and globalisation, and the style of the logos collected in this book reflect this trend.

This could be termed as a kind of ‘neo-nostalgia’, which many brands and designers turn to, creating modern marks that share historic, often heraldic, visual cues in order to convey a sense of respectability, dignity and dependability. This traditional aesthetic arguably resonates so strongly among brands and designers because it reflects the history behind brand-making. This can be seen both stylistically – before computers it was all handmade – and in its construction, with the laurel, shield, seal and crest chosen to display information.

CR: What do you think today’s creatives can learn from the design principles of heraldry?
JD: Today’s designers are, thanks to the web, lucky enough to be equipped with an encyclopaedic grasp of design history, and are able to use historical reference as inspiration. They are designing marks that intentionally counteract the highly-polished, digital-based logos associated with mass consumerism; turning instead to craft-based mediums such as hand-lettering, stamps, traditional symbolism and historic embellishment.

The combination of the old and the new, craftsmanship and technology, often creates a fertile breeding ground for innovative logo solutions and marks that are invested with layered meaning, as well as beautiful aesthetics. As ever, there is a much inspiration to be gained from looking to the past, exploring heraldry and the links we make between symbology and meaning.

Modern Heraldry: Volume Two is available to buy from counter-print.co.uk

The post Exploring the enduring influence of heraldry in design appeared first on Creative Review.

from Creative Review https://ift.tt/35rPQ2v