Monday, June 1, 2020

Esoteriko picks bold colour for only one room of Balmoral Blue House

Blue bedroom

Interiors studio Esoteriko has selected light colours and natural materials for every room in this house in Sydney, apart from one bright blue bedroom.

Esoteriko designed an entirely new layout for this property overlooking Balmoral Beach, making it as open-plan as possible.

Blue bedroom

A consistent palette of materials and finishes was chosen to help tie spaces together, including wood and stone, natural textiles, and shades of white and grey.

But studio founder and interior architect Anna Trefely decided to make one exception, letting the clients' teenage daughter pick blue – her favourite colour – for her own bedroom.

Blue bedroom

This blue room offers a striking contrast to the rest of the house, but one that very few visitors will see. It also gave the project its name, Balmoral Blue House.

Trefely describes it as "a moment of intensity, just for her".

Balmoral Blue House by Esoteriko

Balmoral Blue House is home to a young family of three. It contains three storeys, although there was originally only one. The main floor was built in the 1920s, while the basement and first floor were added in the 1990s.

"What was left was rather confused and characterless," Trefely told Dezeen. "Though the house was large, the spaces felt awkward and even 'poky' at times."

Kitchen

With little worth saving, it made sense for Esoteriko to treat the interior as a blank canvas. A new open-plan layout was drawn up, designed to make the best of the light and impressive beach views.

"The outlook was jaw-dropping," continued Trefely.

"The view extends 180 degrees across harbour beaches, but frustratingly all the full height windows facing this outlook were covered over with heavy shutters, due to the incredible amount of heat that was being transferred through the under-performing glazing."

Balmoral Blue House by Esoteriko

In the new layout, the ground floor plan is designed as a loop of connected indoor and outdoor spaces, including a large family living space, a generous kitchen, a grand hallway and a series of terraces.

There are four bedrooms on the first floor, including a master suite and the blue room. There's also a fifth bedroom on the basement level, along with a large living space that opens out to the deck.

Staircase

Spaces are designed to combine the simplicity of Japanese design with references to the natural landscape of New South Wales, referencing the clients' former home in Asia and their new base in Australia.

Materials and furniture were sourced locally wherever possible, for instance, a kitchen island was made with a marble indigenous to North Queensland.

Living room

Other highlights including handcrafted rugs, ash wood joinery, russet-coloured curtains and a staircase with a textured stone base.

"We were inspired by the surrounding landscape; deep blues of the ocean and rich warm hues of the land," added Trefely.

Balmoral Blue House by Esoteriko

The idea throughout was to make the house feel more "artful".

Paintings and sculptures are dotted through rooms, the majority of which are by females artists, including by Carol Crawford, Amanda Schunker, Krtistiina Haataja and Amy Wright.

Balmoral Blue House by Esoteriko

Trefely founded Esoteriko in 2017. The studio was longlisted for a Dezeen Award last year for another of its projects, Shelter Double Bay.

Photography is by Dave Wheeler.

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ArkDes' exhibition Kiruna Forever premieres with 360-degree tour on Virtual Design Festival

VDF x ArkDes: Kiruna Forever

ArkDes, Sweden's national centre for architecture and design, hosts a virtual 360-degree vernissage for the premiere of its new exhibition Kiruna Forever in the first part of today's VDF x ArkDes collaboration. Tune in from 11:00am UK time for the tour.

Today, ArkDes takes over Virtual Design Festival, starting with an exclusive immersive tour of its new exhibition Kiruna Forever, which officially opens tomorrow.

VDF ArkDes
Kiruna's new City Hall, designed by Henning Larsen. Photo is by Peter Rosén.

The exhibition explores the relocation of Kiruna, a city in the northernmost part of Sweden, which is one of the biggest urban transformation projects in recent history.

The expansion of the city's underground iron ore mine, which is the largest in the world and around which Kiruna was built, is forcing the city to relocate by two miles.

Housing blocks and landmark buildings are being demolished or moved, a third of the population must relocate, and a new city is being formed.

VDF x ArkDes: Kiruna Forever
A building being moved in Kiruna. Photo is by Jessica Nildén.

But how do you move an entire city? Kiruna Forever looks at the challenges of the ongoing relocation, as well as those the community has faced from the first industrial settlements and the ones it will face in the future, through over 100 works by architects, urban planners and artists.

The exhibition focuses on questions such as: What is the limitation of natural resources? What happens to residents' identity and security when their homes are demolished? And how permanent are the cities we live in?

For the premiere, Virtual Design Festival visitors are taken on a virtual vernissage of the exhibition by presenters Justina Hüll, Carlos Mínguez Carrasco, Iwan Baan, Anne Dessing, Michiel van Iersel, Frida Melin, Ingela Johansson, Erik Lefvander, Liselotte Wajstedt, Krister Lindstedt/White Arkitekter, Territorial Agency, Emil Myrsell and Sandra Wasara.

The relocation of the city is ongoing and set to be completely finalised in 2035.

As well as the ArkDes exhibition, there is a parallel exhibition at Konstmuseet i Norr, Norrbotten's new County Art Museum, located in Kiruna. Some of the works have jointly been specially commissioned and are on show simultaneously at both venues.

Kiruna Forever is showing at ArkDes from 2 June, 2020 - 7 February, 2021.


About ArkDes

ArkDes, Sweden's national centre for architecture and design, is a museum, a study centre and an arena for debate and discussion about the future of architecture, design and citizenship.

Its aim is to increase knowledge and cultivate debate around how architect and design affect our lives as citizens, and to influence this change through debate, exhibitions, campaigns and research relating to Swedish and international architecture and design.

Partnership content with ArkDes.

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Entries for Dezeen Awards 2020 close tomorrow

There is only 1 day left to enter Dezeen Awards 2020. Entries close tomorrow at 23:59 UK time.

To help you finalise your submission today, we've put together a checklist so you can make sure your entry is complete and ready to submit:

Are you eligible? Dezeen Awards is open to registered companies and individual designers over the age of 18. Your project must have been completed between 3 June 2018 and 2 June 2020 to be eligible.

Create an account. You will need to create a Dezeen Awards account to enter, if you do not already have one.

Select your category. There are 36 project categories and six studio categories that you can enter. You can enter the same project into multiple categories.

Describe your project. You will need to provide a short and long project description, telling us and the judges a bit about your project or product. Explain why you should win a Dezeen Award. Tell us how your project fulfils the three criteria: beautiful, innovative and beneficial.

Upload images. You can upload up to eleven images to support your entry. Please include a variety of images including photographs, plans and drawings. Do not include renderings or digital visualisations. Images need to be 10MB or less. Your hero image needs to be cropped to a square format.

Credit and caption your images. Make sure that all of your images are correctly credited where appropriate and captioned to describe what they depict.

Video links (optional). Include a URL link to a video of your project if relevant. Additional credits. Make sure to credit everyone involved in the project.

Get permission from the architect or designer. If you are entering on behalf of the architect or designer, you will need to confirm that you have their permission to do so and provide us with their details.

Payment. Your entry will be submitted once payment has been processed. You must make payment online using a debit or credit card.

Questions. If you have any questions or need help, please email awards@dezeen.com.

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ArkDes, Ilse Crawford, Alcova and Farshid Moussavi feature at VDF this week

Week eight schedule VDF

Week eight of the Virtual Design Festival starts this Monday with a collaboration with ArkDes, Sweden's national centre for architecture and design, taking visitors on a virtual 360-degree tour of the opening of its new exhibition, and much more.

We also talk about upcoming industry trends with Lixil chief design officer Paul Flowers and show new touchless and 3D-printed collections as part of our collaboration with Grohe, the VDF headline sponsor.

Designer Ilse Crawford and industrial designer Benjamin Wilson will take part in two live discussions with Dezeen editor-in-chief Marcus Fairs, presented by Braun, and Theodora Alfredsdottir and Patternity join us for our Screentime design series sponsored by Philips TV and Sound.

On Thursday, we showcase the work of 10 designers in collaboration with Milanese design platform Alcova, while the Friday brings a takeover from Austrian Fashion, which presents the work of 15 contemporary fashion and accessories designers.

Iranian-born British architect Farshid Moussavi is this week's guest on our Screentime architecture series, sponsored by Enscape.

We are now more than halfway through VDF. To catch up on what you've missed so far, check out Fairs' selection of highlights from the first half of the festival. For what's to come, see the full VDF schedule. All times are UK times and are liable to change.


Monday 1 June

VDF x ArkDes

For this daylong takeover, Virtual Design festival will showcase a 360-degree virtual vernissage from ArkDes, Sweden's national centre for architecture and design, as well as a live interview with ArkDes director Kieran Long, an interview with artist Linda Tegg, and more.

11.00am Virtual 360-degree vernissage of Kiruna Forever 

A virtual visit that lets you explore the latest exhibition at ArkDes, with over a hundred works by architects, city planners and artists, before it opens on June 2.

12.00pm Kiruna Forever 

Take a closer look at the project behind Kiruna Forever – how do you move an entire city?

1:00pm Interview: Linda Tegg

An interview with Australian artist Linda Tegg, whose Infield project has changed the entrance of ArkDes from asphalt car park to a meadowland.

3.00pm Virtual vernissage: WEIRD SENSATION FEELS GOOD

Take the opportunity to see ArkDes' new exhibition about ASMR, featuring global ASMR artists as well as commercial pieces and works from TV artist Bob Ross, from your own home.

4.00pm Interview with Kieran Long

ArkDes' director Kieran Long in conversation with Dezeen editor-in-chief Marcus Fairs, live from Stockholm.

www.arkdes.se

2:00pm Screentime: Theodora Alfredsdottir

Icelandic product designer Theodora Alfredsdottir joins Marcus Fairs for a presentation and conversation about her work in this Screentime design episode sponsored by Philips TV and Sound.

www.theodoraalfredsdottir.com


Tuesday 2 June

VDF x Grohe

Today's Virtual Design Festival is a collaboration with our headline sponsor, bathroom and kitchen manufacturer Grohe. Dezeen editor-in-chief Marcus Fairs will discuss upcoming industry trends with Paul Flowers, the chief design officer of Lixil, and Grohe will present its touchless and 3D-printed collections and their relevance to health and wellbeing.

www.grohe.co.uk


Wednesday 3 June

VDF x Braun

German brand Braun presents two talks on the theme "Times of change and good design" as part of today's VDF line-up.

The first talk features industrial designer Benjamin Wilson and philosopher, writer and curator Dr. Peter Kapos, followed by a second talk with designer Ilse Crawford. Both talks will be moderated by Marcus Fairs.

www.uk.braun.com


Thursday 4 June

VDF x Alcova

VDF teams up with Milanese design platform Alcova on Thursday 4 June to present the work of 10 designers, studios and brands from its stable.

2:00pm Screentime: Patternity

Anna Murray of London design studio and creative organisation Patternity, which aims to share the positive power of patterns with the world, is today's interviewee for our Screentime design series sponsored by Philips TV and Sound.

www.patternity.org


Friday 5 June

VDF x Austrian Fashion

Today's collaboration with Austrianfashion.net, the platform for Austrian contemporary fashion design, will showcase the work of 15 designers working in fields ranging from jewellery to footwear and fashion.

www.austrianfashion.net

3:00pm Screentime: Farshid Moussavi

Iranian-born British architect Farshid Moussavi will discuss her work, which includes cultural centres, retail spaces, apartment blocks, museums and more, with Marcus Fairs as part of our Screentime series sponsored by Enscape.

www.farshidmoussavi.com


Virtual Design Festival, the world's first digital design festival, runs from 15 April to 30 June 2020 and is sponsored by bathroom and kitchen manufacturer Grohe.

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Coutts is one big family in its heritage-led rebrand

It’s the first rebrand in ten years for the private bank, and happens in a much-changed financial landscape. Fintech companies such as Monzo have ditched the sober branding usually associated with money, and embraced a more playful look and tone of voice, which has seen more traditional banks scrambling to catch up.

So it’s interesting to see Coutts take a different tack. Instead of adopting a similarly conversational tone of voice, FutureBrand has focused on the bank’s 325-year history. The studio went back to the principles of Thomas Coutts, who apparently founded the company with ideas of maintaining a close relationship with, and an understanding of, its clients.

FutureBrand has taken a similarly personal approach to Coutts’ rebrand, focusing on individual stories of people, portraits of the ‘extended family’, and a warmer, more welcoming tone of voice that positions the bank as a kind of home.

FutureBrand hasn’t explained exactly why now was the time for Coutts to change up its branding, but the subtext is perhaps the encroaching influence of younger, more digital-led companies. The studio does report that the updated identity has helped boost perceptions of the bank as more ‘caring’, ‘modern’ and ‘innovative’.

All that said, Coutts is clearly appealing to a particular niche, so perhaps the strategy here is to emphasise the personal nature of that relationship rather than compete with others. Either way, FutureBrand has made an elegant job of it – creating an identity that feels more contemporary, but maintains the hundreds of years of heritage Coutts has built up.

futurebrand.com

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The chatbots are coming

CR investigates what it takes to create a good chatbot, and why they could become an essential part of brand comms in our current culture of immediacy

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Standards Manual is releasing a book on NASA’s worm logo

The Worm Standards Manual

The defining rivalry in the context of space travel is most widely considered to be the space race between the USA and the Soviet Union. Yet NASA has been home to intense rivalries of its own. The worm or the meatball: choose your fighter.

NASA’s longest running insignia is a celestial, round graphic – hence the ‘meatball’ nickname – imbued with patriotic colours. It was first introduced in 1959 and was used until 1975, when it was replaced by the worm: a sleek, curved red logotype. Designed in 1974 by Richard Danne and Bruce Blackburn of New York design studio Danne & Blackburn, the new emblem was the product of the Federal Design Improvement Program, and marked an era of modernity for the space agency.

The Worm Standards Manual

The worm design was retired in 1992 and replaced by its predecessor, and was only to be reproduced on merchandise. Yet the worm icon remained one of the most timeless and instantly recognisable in collective memory – it made our top 20 list of the greatest logos of all time, and Pentagram’s Michael Bierut declared that it “was and is absolutely appropriate” versus the “amateurish mess” that is the meatball.

In honour of the worm’s cherished legacy, Standards Manual is releasing a book featuring over 300 images featuring the logo drawn from the NASA archives, along with an essay by Danne.

The final chapter of the book will be completed following the Falcon 9 mission – a joint initiative between NASA and Elon Musk’s SpaceX – to the International Space Station, which successfully launched on May 30.

The mission marks the return of the worm as it is used officially on a rocket for the first time in nearly two decades – an end to a hiatus that will likely be welcomed by designers and space fans alike.

The Worm Standards ManualThe Worm cover

The Worm, published by Standards Manual, is available to pre-order from Counter-Print in the UK; standardsmanual.com; counter-print.co.uk

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IOC designs Solari workstation in collaboration with Gensler

Dezeen Showroom: trestle legs and a customisable, J-shaped privacy screen distinguish the Solari desk system, developed by Italian office...