Mark Odom Studio restores mid-century building for Austin insurance company BKCW

US firm Mark Odom Studio has opened up the floor plan of a mid-century office building in Austin for insurance company BKCW.

The original structure by architects Pendley & Day was built in 1960 on North Lamar Boulevard, in an area just north of downtown Austin. It's low-slung form juts out on stilts to overlook Shoal Creek, a popular park that runs through the centre of the city.

Local insurance company BKCW recently purchased the property to restore the 3,000 square-foot (278 square metres) structure for use as their offices.

"Meredith and Tyler Spears, owners of the heritage and family operated insurance company BKCW, bought the building for its iconic mid-century architecture which they felt reflected their company culture, attitude, and goals," said Mark Odom Studio.

The office building had been subdivided multiple times over the years, creating cramped interiors with poor natural lighting. In an effort to return the structure to its original state, the architects started by removing these walls.

"This approach fully expressed the entire building volume by not only opening up the interior, but by allowing the prominent glass facades to flood the space with natural light," said the studio, which is based in Austin, and San Antonio Texas.

Visitors enter via a ramp that fronts North Lamar Boulevard and leads into the open-plan offices. A single opening in the brick volume provides access to an open-plan work area, flanked on two sides by private offices and a conference room.

Floor-to-ceiling windows, composed of more energy-efficient glazing and steel mullions, bring plenty of natural light into the workplace.

At the back, there is a secondary volume for the company's employees, including a break room and an exterior terrace behind the building.

"Complimenting the very public southern and western views, the eastern windows now face a revitalised subterranean back courtyard, which acts as a respite from the North Lamar traffic," said Mark Odom Studio.

In addition to salvaging beige brick from the original building, the firm developed a palette that references materials popular in the 1960s, such as cork flooring and stained wood paneling. Vintage furniture matches these material choices, completing the retro look of the revitalisation project.

Other projects in Austin include an eclectic restaurant with features salvaged from a New York City bar, and a carefully rehabilitated mid-century residence by architecture studio Clayton & Little.

Last summer, OMA was selected to complete the renovation of Houston's Barbara Jordan Post Office into a mixed-use venue for arts called POST.

Photography is by Leonid Furmansky.

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Studio Amit designs elderly housing with "sense of vitality" in Israel

Tel Aviv's Studio Amit has opted for colourful details to add flair to this retirement housing development in Israel.

Studio Amit designed the project for Maccabi Healthcare Services' chain of private, upscale retirement complexes around the country, called Bayit Balev.

Israel has national health insurance but requires membership to one of four organisations, either Maccabi, Clalit, Meuhedet and Leumit.

The local studio was tasked to design the public interior spaces of Bayit Balev's latest outpost in the city of Petah Tikva, also known as Em HaMoshavot, which is about a 30-minute drive east of Tel Aviv.

The five-storey complex was built by Tel Aviv practice Canaan Shenhav Architects and includes 211 units.

Studio Amit designed a host of areas like the lobby, dining room, swimming pool, gym and a synagogue.

"The challenge was to design a retirement home that does not look 'elderly' but rather create spaces with a contemporary modern feel, yet at the same time are warm and indulging," studio co-founder Gali Amit told Dezeen.

"Our design approach was to give the retiree population a homey feeling, as well as an exclusively modern, updated environment."

To soften Bayit Balev's stark grey marble floors and bare white walls, the studio added wood-clad feature walls and oak counters and cabinets.

Almost all of the furniture is by Moroso. On the ground floor is the Italian brand's Redondo chairs and sofas in metallic salmon, sage and grey fabrics, while a basement has pink and red seating.

"The challenge was to create a sense of brilliance and newness in an elegant way," Amit added. "Thus the choice of fabrics for the Moroso sofas was high-quality velvet with special stitching that sparkle as the lighting change."

A central column in the lobby is painted pink and green and conceals stairs that connect the communal areas on the three levels.

Studio Amit, which Amit runs with her partner Yoav, also used a similar pink-and-green palette in Tel Aviv's Bana cafe.

"It was essential to convey a sense of vitality, 'alive and kicking', hence the bold choice of colour," Amit added.

Other colourful details are cobalt blue walls in the gym, and bright purple carpet and seats in the movie theatre.

Decor includes a geometric Visioni rug by Spanish designer by Patricia Urquiola, globe light fixtures by local company Kamchi and floor lamps by Barcelona lighting brand Vibia.

A dining room with floor-to-ceiling windows has grey Gubi chairs, and a synagogue has a cut-out wall design with a geometric motif of the Star of David.

Rounding out Studio Amit's Bayit Balev are treatment rooms, classrooms, and all-day health care and security.

Staff rooms and offices are located in the mezzanine above the ground floor.

Other retirement houses around the world are a Montreal high-rise by ACDF, a brick building with pink concrete interiors by Dominique Coulon, and a low-slung concrete construction by Guillem Carrera in Spain.

Photography is by Amit Geron.

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Timber health centre surrounds courtyard of medicinal plants

MAAJ Architectes placed a cross-shaped courtyard for growing medicinal plants at the heart of a timber-framed health centre in the French town of Taverne.

The Taverny Medical Centre brings together several previously disparate healthcare facilities under one roof.

Because of the busy road next door MAAJ Architectes, decided to turn the building inwards.

The plan of the Taverny Medical Centre draws on the ancient cloister typology common in monasteries.

"In this peri-urban landscape, the aim was to set up an anchorage to the new building," MAAJ Architectes co-founder Marc-Antonie Richard-Kowienski told Dezeen.

"Thus the large plot was reshaped into a domestic landscape around the health centre."

Four individual metal pitched roofs with skylights sit at each corner of the centre's square plan

The cross-shaped central courtyard is wrapped by the centre's main circulation area.

"The central patio offers several advantages such as natural lighting for the whole building," said the practice.

"It also serves as an open extension of the waiting rooms and acts as an intimate and sensory place where medicinal plants are grown, a reminder of the health and curative purpose of the centre."

Waiting areas are nestled into each corner protruding into the courtyard, and staircases positioned along its north and south edges.

Treatment rooms are placed around the perimeter.

Its exterior walls are infilled with wooden sheets, with only small windows to shut out noise and views from the road.

A glazed section of the exterior envelope marks the centre's entrance, which is approached via a small landscaped garden that helps to create a buffer between it and the road.

Interiors are pale and calm, with exposed timber between the glazing, white ceilings and white balustrades of thin steel.

MAAJ Architectes was founded in 2004 by Richard-Kowienski and Anne-Julie Martinon.

Norweigian practice Hille Melbye recently made similar use of the courtyard typology for a psychiatric centre in Oslo, with garden spaces that are intended to act as an extension of the therapy taking place inside.

Photography is by François-Xavier Da Cunha Leal.

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ALT uses aerospace-inspired packaging for its "mind-expanding" liquid cannabis

Science, aeronautics and NASA inspired the Very Polite Agency's packaging design for ALT, a liquid cannabis product for people who want a mind-expanding rather than purely medicinal high.

The Canadian creative agency worked on every aspect of the brand identity with the ALT founders, including the name.

"ALT" is a play on the words "altitude" and "altered state" that eventually evolved into an acronym — Advanced Liquid Technologies.

The product has a couple of unique selling points: it is liquid in form, and it promises a controlled but deep high that, according to the brand, opens up neural pathways and gives users a chance to see things differently.

Very Polite saw a potential market among people interested in self-improvement based on scientific approaches, and they designed the packaging accordingly.

"ALT was rooted in scientific development, which we found interesting in a space where cannabis often has an 'organic' or 'granola' association, both in aesthetic and overall tone," Very Polite partner and head of creative Dylan Rekert told Dezeen.

"We wanted to pull from the science element without it feeling pharmaceutical. We had to find a way to make it work, and to us that came in the idea of performance."

This brought Very Polite to the aeronautical and moon-landing theme — not only was it scientific, it conjured associations with human aspiration and achievement that seemed right for ALT.

At the same time, the overall effect had to suit the demographic by being discrete and refined — "something they would have no issue displaying on their coffee table", according to Rekert.

They took their visual cues from NASA, incorporating a minimal black, white and silver colour palette with dashes of red.

The visual identity pairs navigational elements such as crosshairs and GPS coordinates with lean, sans serif typography.

When it came to the packaging design, space food was a major reference; ALT comes vacuum-sealed in silver foil, looking like a luxury version of the meals astronauts get on voyages.

The box within contains five resealable vials of ALT, with dosage levels clearly labelled.

The product comes in either a "functional micro-dose" version with five milligrams of THC per vial or a "deeper expression" with 10 milligrams of THC per vial.

ALT's approach is in contrast to other new premium cannabis companies such as Dosist and Standard Dose, which have tried to associate themselves with wellness.

It is also a departure from the jokey or kitschy branding that still dominates in the sector.

"Ultimately, the cannabis industry is a pun-filled market we didn't want to fall into," said Rekert.

"What we created was a strong, aspirational concept that approached 'getting high' from a different perspective, and the idea of doing something to expand potential for yourself," he continued.

"The same way meditation has gone from a 'hippy' thing to a widely socially accepted and integrated practice, using ALT is a form of modern connectivity, evolved from the perception of simply 'getting high'," he said.

"It can be a cerebral drug, with the right dosage, expanding the mind intentionally."

ALT will be available to buy in North America, which has seen an explosion in cannabis-related products and technologies since US states began legalising recreational marijuana use in 2012.

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Prepare for Valentine's Day with our new romantic restaurants Pinterest board

To get you in the mood for Valentine's Day we've created a new Pinterest board showcasing romantic restaurants. Venues featured include an elegant eatery inside New York's museum Fotografiska and a dining space in Venice decorated with decadent furnishings. Follow Dezeen on Pinterest or visit our updated board to see more.

Ornately painted walls and velvet furnishings create a decadent setting for L'Avventura restaurant in Stockholm

The board also features a high-end restaurant in Copenhagen that projects glowing northern lights above diners and a dining space that boasts a similar atmosphere to a "lost palace".

The Beefbar steakhouse is located just off Champs Elysées in Paris

Other additions to the Pinterest board include a sumptuous steakhouse in Paris that features jewel tones and art nouveau wall panelling, as well as an intimate Italian restaurant located in a neglected 20th century cinema in Stockholm.

Dezeen's Pinterest account features thousands of images, organised into hundreds of boards. Follow us on Pinterest to keep up to date with our latest pins.

 

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Renesa uses terracotta-brick walls to carve up interiors of Indian showroom

Room dividers composed of hollow terracotta bricks frame the products within this home decor showroom in the northwestern Indian city of Amritsar.

Designed by New Delhi-based studio Renesa, the 1,300-square-foot showroom belongs to homeware brand Rustickona.

The brand, who has named the showroom The Terramater, wanted a retail space that felt homely and welcoming – a contrast to the space's raw concrete walls, floors and monolithic display plinths.

To foster a sense of familiarity amongst customers, Renesa inserted a series of walls made of hollow red blocks called Jali bricks, a material typically used in the construction of buildings in India.

Each decorative brick is perforated with a grid of square and circular holes that allow light to filter through the space.

The holes also allow the transmission of air throughout the showroom and help to lower the temperature during the warm summer months.

The brick walls have been carefully arranged to form a series of smaller, more intimate display and exhibition areas for the brand's furniture, lighting and decorative objects.

Some of the brick walls cut through the showroom diagonally, while others are curved to create alcoves.

"The project experiments with the very idea of space, pushing the boundary of the showroom to act as a gallery where the sculptures and the products become a part of the design," the studio explained.

"It allows the customers to interact with the products through the various pockets created and get a sense of their inherent quality."

After arriving at reception, customers are guided through the showroom by archways within the walls that align to create a pathway.

At the back of the showroom is a wall punctuated by deep-set arched windows that cast tall shadows.

Directly in front is a circular exhibition plinth surrounded by light-coloured gravel, which is used for displaying outdoor furniture.

Wooden shelves that present the brand's selection of ceramics stretch across the periphery walls.

Leafy palms and banana plants have also been dotted around to soften the showroom's hard shell and offer a colour contrast to the concrete and terracotta.

Established back in 2006, Renesa is led by father-and-son duo Sanjay and Sanchit Arora.

Previous projects by the studio include a whimsical games cafe in the Indian city of Gurugram, which takes design cues from ancient sundials and confusing video games.

Photography is by Niveditaa Gupta.

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Roman and Williams Guild New York boasts flower shop, boutique and French cafe La Mercerie

Robin Standefer and Stephen Alesch, the husband-and-wife team behind design firm Roman and Williams, have created a lofty two-storey emporium in Manhattan's Soho district.

Named Roman and Williams Guild New York, the 650-square-metre flagship houses an art studio, flower shop, gallery and boutique, and a restaurant called La Mercerie.

"When we founded Roman and Williams Buildings and Interiors in 2002, we knew that eventually we wanted to take some of the things we'd made, and contribute them to the homes of people everywhere," the firm said in a statement.

"To this end, we are establishing our own modern-day guild, a guild of the senses, that gathers the best of everything we make, and everything we love, and helps others to do the same."

Completed in 2017, The Guild carries Founding Collection, a 55-piece catalogue of Roman and Williams' custom furnishings influenced by or created during previous projects.

The duo's treasury of lighting and furniture fit spans multiple categories of living, from dining to office and lounging to storage. The boutique also boasts objects collected from the workshops of craftspeople around the world.

The airy space on Canal Street features painted brick walls and wooden floors, and is decorated with an array of curated objects to lend a live-in feeling; reindeer fur hides and sculptures by artist Casey Zablocki, La Soufflerie glassware, painted stoneware by Andrew Mcgarva, and various printed ephemera are part of this selection.

Roman and Williams' collaborations appear throughout the space: faucets and fixtures come from RW Atlas Collection for Waterworks, and architectural door and cabinet hardware was created with H Theophile.

The Guild's in-house florist Emily Thompson hand-selected "wild, feral [and] beautiful" botanicals to fill the room. Thomspon's floral compositions are sold in a dedicated nook onsite.

At the rear is La Mercerie, an all-day French cafe concept by restaurateur and frequent collaborator Stephen Starr and chef Marie-Aude Rose.

"We wanted to create something comfortably lavish, that evoked both the refined and earthly aspects of French cuisine," added Standefer and Alesch.

The elegant dining room is "inspired by calm reveries", according to the designers, featuring a watery-blue cast, thick marble counters, pale-gray floors, and an enameled kitchen outfitted by Athanor. Custom designed "Angelica" dining tables and hanging pendant lamps are a part of Founding Collection.

Roman and Williams recently installed a cabinet of curiosities inside the store on 53 Howard St. Other projects by the studio include the "romantic" Veronika restaurant inside New York's Fotografiska museum.

Photography is courtesy of Roman and Williams.

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